Brian Tamaki stands among others at a Destiny Church meeting in the city.

On a dark-brown background, the light-brown text reads: "MATA REPORTS."

28m

For years, Destiny Church shaped every part of Lynia Morseu-Tol's life. 16 years after leaving, this is Lynia's story of reckoning with faith, identity, and whānau.

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6 people are seated around a long table, four of them are wearing hi-vis tops. On the table there are little traffic cones and signs. There are two flags hanging on the wall behind them, the flag of the United Tribes of New Zealand and the Maori flag. Orange text reads, "Hi-Vis".
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Text reads, "House Talk" on a white brick wall background.
Dark grey background with yellow text reading, "The Barber Shope". There is a illustration in the same yellow of a Māori design.
In India, a group of people walk down a path in front of a historic building. Above the building in orange reads: "1984"
The host, Mihingarangi Forbes, smiling at the camera. Text reads, "Mata".
A sand dune with the ocean behind it in a cove, everything shadowy and violet in the twilight.
The text reads "Whitiki! Whītī! Whītī! E!"
A man looking into the camera with his mouth slightly open. His left eye is bugged out in a comically over the top way. Text reads, "A Place Called Te Awamutu".
Side profile of a persons face, silhouetted against a setting sun out of frame. Text reads, "Imposter".
A Muslim man in a blue shirt stands in a mosque.
The text reads "This Is Us"
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A man standing with his arms crossed looking at the camera, he has visible tattoos on both forearms. He's highlighted with a blue light. Text reads, "NZ Hip Hop Stand Up" in neon green and pink.
Two people holding microphones and singing into them, another person stands behind playing a keyboard piano. The scene is lit with a purple hued light. Text reads, "The Barber Shop Sessions".
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Troy Kingi wearing a traditional red poncho sits in the rocky Californian desert beneath a light blue sky.
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A bagpipe band stand in a field ready to perform.
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