Pianist Tony Yan Tong Chen Photo: Supplied
Tony Chen is Auckland-born and his teachers here include Jian Liu, Bryan Sayer and Rae de Lisle.
Currently (2020) he’s a student at the Eastman School of Music in New York. He’s supported by Professor Jack Richards and has performed at festivals in Canada, Switzerland and Spain.
Franz Liszt wrote three collections of pieces for piano which he called “Years of Pilgrimage”, inspired, as we might expect, by his experiences while travelling. He wrote about them...
“Having recently travelled to many new countries, through different settings and places consecrated by history and poetry; having felt that the phenomena of nature and their attendant sights did not pass before my eyes as pointless images but stirred deep emotions in my soul, and that between us a vague but immediate relationship had established itself, an undefined but real rapport, an inexplicable but undeniable communication, I have tried to portray in music a few of my strongest sensations and most lively impressions.”
The three Petrarch Sonnets in this collection are piano-only versions of three songs Liszt had written – settings of poems by the great 14th century writer.
Sonnet 47
Blest be the day, and blest the month, the year,
The spring, the hour, the very moment blest,
The lovely scene, the spot, where first oppress'd
I sunk, of two bright eyes the prisoner:
And blest the first soft pang, to me most dear,
Which thrill'd my heart, when Love became its guest;
And blest the bow, the shafts which pierced my breast,
And even the wounds, which bosom'd thence I bear.
Blest too the strains which, pour'd through glade and grove,
Have made the woodlands echo with her name;
The sighs, the tears, the languishment, the love:
And blest those sonnets, sources of my fame;
And blest that thought—Oh! never to remove!
Which turns to her alone, from her alone which came.
Recorded in the Lewis Eady Showroom, Auckland, 3 October 2020
Engineer/Producer: Tim Dodd
