The instigator of Moana Pacific Storytelling says she saw a need for traditional Pacific tales to be told in Aotearoa New Zealand.
Pacifica Arts Centre's project manager Tuaratini Ra'a gathered Pacific storytellers to share the lore of the region, including the classic Samoan myth, Sina and the Eel.
Tuaratini Ra'a Photo: RNZI/ Sela Jane Hopgood
Stories from Cook Islands, Fiji, Samoa, Tonga and Tuvalu was present at the Corban Estate Arts Centre in west Auckland.
Ms Ra'a said the Pacifica Mamas, a group of women who travel around New Zealand teaching Pacific culture, was her motivation for this event.
"I started storytelling for the Mamas in 2008 when I worked for their Pacific experience programme.
"One day we were hosting a workshop for school kids around the 'Sina and the eel' tale and our Niuean mama usually tells that story."
"However, she was away sick and so I was thrown in the deep end and stepped in her place on the day. Since then, storytelling has stuck with me," she said.
The event was part of the Pacifica Mamas exhibition called 'Turou' meaning the call from our ancestors, and featured in the Pacific Heritage Arts Fono (PHAF 2017).
Ms Ra'a was approached by the director of the Pacifica Arts Centre, Jacinda Stowers-Ama, to bring storytelling to the community during the fono.
The theme for the PHAF 2017 is transmission, preserving, developing and passing on Pacific heritage art forms.
Ms Ra'a asked Tongan academic Hufanga Professor Doctor 'Okusitino Mahina to represent the Kingdom of Tonga.
She said it took some convincing to get Dr Mahina on board, due to the different styles of storytelling from the Pacific.
"He said that Tongan storytelling is a dying art and that Tongans don't do it the way Cook Island people do it.
"I told him, 'no I don't want you to do it the way I do it. I want to know how stories are told in Tonga' and he said, 'well we tell stories all the time in my faikava group'."
"I thought, can you imagine the kind of stories that come out of the kava bowl?" she said.
Ms Ra'a wanted to prove that stories in the Pacific language would not be a barrier for the audience to understand.
Pacific poet, writer and musician Daren Kamali represented Fiji, with his bilingual story written on Masi or tapa cloth.
Mr Kamali was initially worried the audience would not understand the plot due to it being in Fijian and English.
Ms Ra'a told all her storytellers for the event that people tend to observe the storyteller's facial expressions, gestures and body movement to get the gist.
"It's a rare opportunity to get a taste of this authentic style of storytelling and you won't see this in the theatres.
"It is truly an expression of identity, an expression of culture, a vehicle for the language," she said.