Arts commentator Courtney Johnson on the curious case of Alec Baldwin’s “fake” painting, why people touch things in museums; and a piece of 1960s social housing enters the collection of one of Britain's most eminent museums.
6 Dec 2017
Arts commentator Courtney Johnson on the curious case of Alec Baldwin’s “fake” painting, why people touch things in museums; and a piece of 1960s social housing enters the collection of one of Britain's most eminent museums.