Henry Fuseli
Images by 18th century Romantic painter Henry Fuseli, whose drawings feature in the Auckland Art Gallery exhibition Henri Fuseli: Dark Chambers of the Mind, discussed by Mary Kisler and Kim Hill on Saturday Morning 23 June 2012.
Left: Henry FUSELI (1741–1825) Switzerland, England , Two Courtesans with Fantastic Hairstyles and Hats c1790–92, pen with brown, pink and grey wash, Auckland Art Gallery Toi o Tāmaki, purchased 1965. Right: Sketch showing three women and a man.
Left: Henry FUSELI , A Woman with a Fan, Standing, Seen from the Back 1791, pencil with blue, brown, black and pink wash, Auckland Art Gallery Toi o Tāmaki, purchased 1965. Centre: Sketch for the Ladies of Hastings, Kunsthaus, Zurich. Right: The Ladies of Hastings, Oil on canvas, Private Collection, Zurich.
Left: Henry FUSELI , Parental Care c1795–1800, pen and ink with grey and blue wash, Auckland Art Gallery Toi o Tāmaki, purchased 1965. Right: Conrad Meyer (1618-89) Switzerland, Ninetieth Year, from The Ages of Man, Engraving.
Henry FUSELI , Hephaestus, Bia and Kratos securing Prometheus on Mount Caucasus c1800–10, pencil, Auckland Art Gallery Toi o Tāmaki, purchased 1965.
Left: Henry FUSELI , Study For The Three Witches In Macbeth , oil on canvas, Auckland Art Gallery Toi o Tāmaki. Centre: John Raphael SMITH (1752–1812) England , after Henry FUSELI , Weird Sisters 1783, colour mezzotint, Auckland Art Gallery Toi o Tāmaki, purchased 2011. Right: James CALDWALL (born 18th century) England, after Henry FUSELI , Shakespeare: Macbeth, Act I, Scene 3 1798, mezzotint on wove paper, Auckland Art Gallery Toi o Tāmaki, gift of Peter Tomory, 2002.
Left: Henry FUSELI, Portrait of Lavinia de Irujo 1813, pencil and grey wash, Auckland Art Gallery Toi o Tāmaki, purchased 1965. Right: Edward Scriven, After George Henry Harlow, Portrait of Henry Fuseli, Stipple etching, British Museum.
The images in this gallery are used with permission and are subject to copyright conditions.
