The Sampler

Tony Stamp delves into the latest album releases, looks back at past classics, and speaks with a range of people on the pop cultural landscape.

Hosted by Tony Stamp

Birds-eye-view of an illustrated black vinyl record with a yellow centre and red tonearm, on a blue insert and a red background. The text 'Sampler' reads in white on the right hand side from bottom to top.

RNZ exclusive

This podcast is only available on the RNZ website and apps, ad‑free and uninterrupted.

The Other Side by Void Waves

All episodes:

The Other Side by Void Waves

A pleasant surprise has emerged from a basement studio in Auckland, Aaron Wood's solo project mixing vintage technology with lashings of post-punk.
New episode
Void Waves covert art

Interview: MĀ speaks about her new album Blame It On The Weather

Tony catches up with the Te Whanganui-a-Tara multi-hyphenate about her environmentally-aware second LP.
MĀ

Find Me in the Rabbit Hole by Neive Strang

Singer-songwriter Neive Strang enlists producer Sean Donnelly for a simmering set of songs that wisely foreground her voice.
Neive Strang

Sable Fable by Bon Iver

Justin Vernon's future-folk project has swollen with ambition over the years, toeing a line between artsy indulgence and solid tunes.
Bon Iver

Interview: Tom Lark on Moonlight Hotel

The Taite Prize-nominated musician (real name Shannon Fowler) on his new album Moonlight Hotel, and how it relates to his family history of gold panning in Murchison.
Shannon Fowler AKA Tom Lark

Dime by Serebii

A second album of relaxed tracks from Titirangi-via-Wellington musician Serebii foregrounds his singing, spanning folk music as well as beatmaking.
Callum Mower AKA Serebii

Blame it on the Weather by MĀ

Te Whanganui-a-Tara artist MĀ raps and sings in te reo Māori and English on her second album, pondering environmental issues while maintaining a sense of fun.
MĀ

Te Whare Tīwekaweka by Marlon Williams

Nick Bollinger reviews Marlon Williams' first te reo Maori album.
Marlon Williams

City of Clowns by Marie Davidson

The Montreal producer teams up with dancefloor doyens Soulwax for an album of floor-fillers with thematic heft.
Marie Davidson

Gluten of the Eagle by László Reynolds

On his third solo album the Ringlets guitarist balances irreverence and loveliness, branching out stylistically while harking back to the past.
László Reynolds

Forever is a Feeling by Lucy Dacus

After the success of supergroup Boygenius, one third of the trio finds herself under extra scrutiny, doling out lyrical breadcrumbs while enjoying a major-label budget.
Lucy Dacus

For Melancholy Brunettes (& Sad Women): Japanese Breakfast’s Ethereal Journey Through Sound and Story

Maggie Tweedie reviews Japanese Breakfast's fourth album, For Melancholy Brunettes and Sad Women. The result is a balanced and fabled collection of songs inspired by hours of reading, writing, and stepping away from a whirlwind three years in the spotlight.
Singer and author Michelle Zauner sits at a table covered in food, a candle and a skull. Michelle wears black.

Exploding Trees and Airplane Screams: Patterson Hood’s Bold New Record

Elliott Childs reviews Portland musician and Drive-By Truckers co-founder Patterson Hood’s first solo record in over a decade which features indie heavy weights MJ Lenderman and Waxahatchee. 
American musician Patterson Hood

Winter Reflections: Charlotte Yates on Songwriting, Poetry, and Her Aotearoa Tour

In this interview, musician Charlotte Yates opens up about her brand-new EP Winter’s Eye and her collaboration with producer Brooke Singer. She tells a tale about working with poet Sam Hunt and reveals details about her upcoming Aotearoa tour, in an honest look into her creative journey with Maggie Tweedie.
Singer-songwriter Charlotte Yates releases new 7 track EP Winter's Eye

Throwing Muses’ Luminous Journey Through Sound

Maggie Tweedie reviews Throwing Muses new album Moonlight Concessions. The nine new songs from Moonlight are an effervescent addition to the band's varied and eclectic catalogue, showcasing a more optimistic and luminous sound than ever before.
Kristin Hersh, laughing with her head back, holding a black electric guitar.

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